Eugenia Paulicelli is Professor of Italian in the Department of European Languages and Literatures at Queens College and at the Graduate Center of the City University of New York. At The Graduate Center, she is appointed faculty in the programs of Comparative Literature, Women and Gender Studies, Film Studies and The Master of Arts in Liberal Studies (MALS), where the concentration in Fashion Studies she created is housed.
She was born in Canosa in the region of Puglia in Italy. She studied at the “Aldo Moro,” University of Bari and in the US where she completed her PhD in Italian with a minor in French at the University of Wisconsin, Madison. In Italy, she specialized in English literature, semiotics, and feminist theory. In the US, during graduate school, she furthered her research interest in the relationship between word and image, art and literature, and critical theory, from which her approach to fashion has drawn. Since then, she has worked on establishing the study of fashion at CUNY with an academic and inter-disciplinary approach in the Italian and Women’s Studies programs, and in collaboration with colleagues in the arts and humanities, social sciences, and digital humanities.
Her research spans the history and theory of fashion, the relationship between fashion, film, literature and other media, the politics of gender and race, women’s history, and the role of narrative in nation building. She has pioneered The Fabric of Cultures Project and has curated several exhibitions, authored and co-curated an academic book of the same title and two catalogues: http://thefabricofcultures.com/
As author, editor and co-editor, she has written 13 books. She published on early modern Italian writers such as Baldassarre Castiglione, Arcangela Tarabotti, Cesare Vecellio, Giacomo Franco and their costume books, and modernist writers such as the feminist seamstress and writer Rosa Genoni, futurist artists and fashion, Natalia Ginzburg, Clara Sereni and Italo Calvino, on Italian filmmakers such as Nino Oxilia, Michelangelo Antonioni and Federico Fellini. She has also written on Salvatore Ferragamo and cinema (in Shoe-Reels. The History and Philosophy of Footwear in Film (2020) and on “Made in Italy and cultural translation: From Gucci to Dapper Dan and Back” (2021).
Her books include Moda e Cinema in Italia. Dal Muto ai nostri giorni (Mondadori: 2020); Italian Style. Fashion & Film from Early Cinema to the Digital Age (Bloomsbury: 2016); Film, Fashion and the 1960s (co-editor with Louise Wallenberg and Drake Stutesman, Indiana University Press: 2017) the bilingual monograph on Rosa Genoni (Deleyva: 2015; 2017); Moda e Letteratura nell’Italia della prima modernità (Meltemi Press, 2019, Italian translation of Writing Fashion in Early Modern Italy, Ashgate: 2014); The Fabric of Cultures. Fashion, Identity, Globalization, (co-editor with Hazel Clark, Routledge: 2009); Moda e Moderno, (editor, Meltemi Press: 2006); Fashion Under Fascism. Beyond the Black shirt (Berg: 2004); and The Routledge Companion to Fashion Studies (co-editor with Veronica Manlow and Elizabeth Wissinger, Routledge: 2021)
Her essays have appeared in Fashion Theory; Fashion Practice; The Italianist; Annali d’Italianistica; Annalecta Husserliana; Journal of Modern Italian Studies; Film, Fashion & Consumption, Textile, Cloth and Culture; Carte Semiotiche; Romance Notes; Gender & History; and collections such as The Cambridge Companion to Modern Italy; Visual Typologies; The Fashion History Reader; Storia d’Italia- Storia dei consumi; The History of Global Fashion and others.
Some of her recent essays and forthcoming publications:
- “Intercultural Translation: Early Modern Fashion Cities in a Global Context” in Christopher Breward, Beverly Lemire, Giorgio Riello, eds. Cambridge Global Fashion History, Cambridge: Cambridge University Press, forthcoming.
- “The Fashion of Avant-garde” for the exhibition catalogue Futurism & Europe. The Aesthetics of a new world. The Kröller- Müller Museum, Otterlo, The Netherlands, Yale University Press, 20
- “Fascism for Export: Fashion and Textiles in 1930s Italy”, in Vincent Dube-Senecal and Veronique C. Pouillard eds., The Routledge History of Fashion, London and New York: Routledge, forthcoming.
- The Journal of Italian Cinema and Media (co-editor with Giulia Po) dedicated to Fashion/Film/Costume, forthcoming in 2024
As an Italianist, she has created several projects that innovate the Italian curriculum in higher education and connect language and culture through the introduction of art, fashion and material culture. See the pedagogy page on the Fabric of Cultures site: http://thefabricofcultures.com/pedagogy/italian_language/
The recipient of several grants from the Italian Foreign Ministry in support of her projects, she has collaborated with The Italian Cultural Institute, The Italian Consulate, and the Italian Trade Commission in New York. One of the latest projects supported by a grant from the Italian Foreign Ministry is the production of six short films on “The New Made in Italy” that can be viewed on the Youtube channel The New Made in Italy: 21st century Fashion, Film, Arts & Design.
She has received international recognition for her work such as The Benjamin Meaker Visiting Professorship, University of Bristol, 2013; the “2019 Italian Ambassador of Design,” Johannesburg, South Africa, and for her contribution to the field of Fashion Studies, The Italian Cultural Heritage Committee of New York (2017). She has lectured in the US, Europe, China and South Africa.
She is also the founder of the CUNY Italian Film Festival IC-CUNY: https://iccuny.commons.gc.cuny.edu/.
She has recently started a collaboration between IC- CUNY and CUNY TV
See the recent interview with Film Director Alina Marazzi.
For more about her publications visit her site on academia.edu: